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For his latest exhibition, Ryan McGinley has shifted his focus away from constructing a youthful sublime within the boundless American landscape and has concentrated instead on creating imagery within the confines of his New York studio. The result is a surprisingly restrained, open-ended study of black and white portraiture. Here we see McGinley not as a chronicler of youthful adventure, but as an engine for an almost scientific cataloguing of a kind of emotional optimism.

McGinley’s portraits are the result of a meticulous studio practice, in which thousands of images are taken of each sitter; each shoot eventually being edited down to its one defining “moment”. During the course of two years, McGinley photographed about 150 hand-picked subjects from across the globe. Bringing these models into his studio and stripping them of their clothing, the artist has succeeded in answering his own question: “What would a classical Ryan McGinley black and white portrait look like?”

More images after the jump.

Ryan McGinley Everybody Knows This Is Nowhere, Team Gallery, New York.

March 18th – April 17th 2010

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